Ancient Greek

Greek Accents and Breathings: Rules + 8 Solved Exercises

Smooth or rough breathing, acute, grave and circumflex: the tables, the two laws that decide where the accent falls, 8 exercises.

Recommended for: Grade 9 · Grade 10

In Ancient Greek, breathings and accents are not decoration: they are part of the spelling. Writing ανθρωπος with no marks is as wrong as writing “dont” for “don’t”, with one extra difficulty: the Greek accent moves depending on the grammatical form of the same word. Below you will find every table you need and the two laws that decide where the accent may fall.

Breathings: two marks, only one is pronounced

Every word beginning with a vowel carries a breathing on that initial vowel. There are only two.

BreathingMarkGreek nameValueExample
smooth᾿ψιλή (psilḗ)silentἀγορά → “agora”
roughδασεῖα (daseîa)aspiration, an hἵππος → “hippos”

Two cases are automatic and worth memorising straight away:

  • every initial υ always takes the rough breathing: ὕδωρ, ὑπέρ, ὕπνος;
  • every initial ρ always takes the rough breathing: ῥήτωρ, ῥόδον.

In every other case the breathing is learned together with the word, the way you learn which English words start with a silent h. If you have not revised the letters yet, start from the guide to the Greek alphabet and its pronunciation: breathings and accents are written above those vowels.

The three accents

AccentMarkGreek nameWhich vowelsWhich syllables
acute´ὀξεῖα (oxeîa)short and longlast, second-to-last, third-to-last
grave`βαρεῖα (bareîa)short and longlast only
circumflexπερισπωμένη (perispōménē)long vowels and diphthongs onlylast and second-to-last

The grave is not a free accent: it appears only in place of the acute of an oxytone when that word is followed by another word with no punctuation in between. ἀγαθός in isolation, but ὁ ἀγαθὸς ἄνθρωπος in running text.

What Greek words are called, by accent

The technical name of a Greek word depends on two things: which accent it carries and which syllable that accent sits on, counting from the end.

NameAccentSyllableExample
oxytoneacutelastἀγαθός
paroxytoneacutesecond-to-lastλόγος
proparoxytoneacutethird-to-lastἄνθρωπος
perispomenoncircumflexlastτιμῶ, νοῦς
properispomenoncircumflexsecond-to-lastδῶρον, σῶμα
barytoneany accent not on the last syllablepenult or antepenultλόγος, δῶρον, ἄνθρωπος

“Barytone” is not a sixth independent category: it is the umbrella label for every word that is not accented on its final syllable.

Vowel quantity decides everything

Before applying any rule you have to know whether a syllable is short or long, because both Greek accent laws are built on that distinction.

VowelsQuantity
ε, οalways short
η, ωalways long
α, ι, υdoubtful (short or long depending on the word)
diphthongslong
word-final -αι and -οιcount as short

That last row causes most mistakes: ἄνθρωποι stays proparoxytone precisely because the final -οι counts short. The exception to the exception is the optative, where final -αι and -οι count long again.

First law: the law of limitation

The Greek accent cannot retreat as far back as it likes. Two limits, both worth memorising:

  1. the accent never goes back beyond the third-to-last syllable;
  2. if the final syllable is long, the accent stops at the penult.

This produces the behaviour you see throughout the declensions: ἄνθρωπος in the nominative (short final -ος, accent on the antepenult) becomes ἀνθρώπου in the genitive, because the long final -ου pushes the accent forward. The same happens in θάλαττα → θαλάττης. It is the Greek counterpart of the Latin rule that fixes the accent by looking at the penult; if you study both languages, compare it with what happens across the Latin declensions.

Second law: the sotera rule

The formula is short: accented long penult + short final syllable = compulsory circumflex.

  • σωτῆρα (accusative of σωτήρ): accented long ω, short -α → circumflex.
  • δῶρον: accented long ω, short -ον → circumflex.
  • δώρου: accented long ω, but -ου is long → the condition fails, so acute.

The name of the rule is a memory aid: the word σωτῆρα is itself an instance of it.

Where the marks are written

  • Proper diphthongs (αι, ει, οι, αυ, ευ, ου, ηυ): breathing and accent go on the second vowel — αὐτός, οἶκος, εὑρίσκω.
  • Improper diphthongs (ᾳ, ῃ, ῳ): the marks go on the vowel written on the line, since the iota is subscript — ᾄδω, ᾅδης.
  • Capitals: the marks sit in front of the letter, at the upper left, not above it — Ἀθῆναι, Ἕλληνες.
  • Order of marks on the same vowel: with the acute and the grave, the breathing goes to the left of the accent (ἄ, ἃ); with the circumflex, the accent is written above the breathing (ὧ, ἇ).

Enclitics and proclitics

A few very short words have no accent of their own.

  • Proclitics lean on the word that follows and stay unaccented: the articles ὁ, ἡ, οἱ, αἱ, the prepositions ἐν, εἰς, ἐκ, and also ὡς, εἰ, οὐ.
  • Enclitics lean on the word before them and hand over their accent: μου, σου, τις, ποτε, ἐστί. This is why ἄνθρωπος can appear with two accents in ἄνθρωπός τις, “a certain man”.

They deserve a chapter of their own, but the point to take away now is that an unaccented word in a Greek text is almost always a proclitic, not a typo.

The most common mistakes

  1. Leaving out the breathing. It is not a graphic detail: ἀγορά without a breathing is a misspelled word.
  2. Putting the marks on the first vowel of a diphthong. It is οἶκος, never *ὄικος.
  3. Using a circumflex on ε or ο. Impossible: they are always short, and the circumflex needs a long vowel or a diphthong.
  4. Keeping the accent on the antepenult when the final syllable is long. *ἄνθρωπου does not exist; it is ἀνθρώπου.
  5. Treating final -αι and -οι as long. The nominative plural is ἄνθρωποι, not *ἀνθρώποι.
  6. Forgetting the acute → grave switch inside a sentence. An isolated oxytone has the acute, but in running text it takes the grave.
  7. Using the grave on any syllable but the last. The grave exists nowhere else.

How to use the exercises

The eight exercises below follow the order in which Greek is actually learned: first the two breathings and the technical names of words, then where the marks go on diphthongs and capitals, then the two laws applied to a genitive and an accusative, and finally error spotting and the edge case of final -αι and -οι, the one that tells παιδεῦσαι apart from παιδεύσαι. For the historical background of the language, see the summary of Ancient Greece.

Solved exercises

1. Add the correct breathing to these words, written here without any marks: αγορα, υδωρ, ρητωρ. base

Show solution
  1. Every word beginning with a vowel must carry a breathing: it is not optional.
  2. αγορα begins with α and has no aspiration, so it takes the smooth breathing: ἀγορά, read 'agora'.
  3. υδωρ begins with υ, and an initial upsilon ALWAYS takes the rough breathing: ὕδωρ, read 'hydor'.
  4. ρητωρ begins with ρ, and an initial rho also always takes the rough breathing: ῥήτωρ.

Answer: ἀγορά (smooth) ; ὕδωρ (rough) ; ῥήτωρ (rough)

2. Classify λόγος, ἀγαθός, ἄνθρωπος, δῶρον and τιμῶ using the technical name based on accent and syllable. base

Show solution
  1. First check WHICH accent is used (acute or circumflex), then WHICH syllable it sits on, counting from the end.
  2. λόγος: acute on the penult, so paroxytone.
  3. ἀγαθός: acute on the final syllable, so oxytone.
  4. ἄνθρωπος: acute on the antepenult, so proparoxytone.
  5. δῶρον: circumflex on the penult, so properispomenon.
  6. τιμῶ: circumflex on the final syllable, so perispomenon.

Answer: λόγος = paroxytone ; ἀγαθός = oxytone ; ἄνθρωπος = proparoxytone ; δῶρον = properispomenon ; τιμῶ = perispomenon

3. State which letter carries the breathing and accent in αὐτός, οἶκος, ᾄδω and Ἀθῆναι, and explain why. base

Show solution
  1. αὐτός and οἶκος begin with a proper diphthong (αυ, οι): the marks go on the SECOND vowel, that is on υ and on ι.
  2. In οἶκος the same ι carries both the smooth breathing and the circumflex.
  3. ᾄδω begins with an improper diphthong (α with iota subscript): the iota is written underneath, so the marks stay on the α.
  4. Ἀθῆναι begins with a capital letter: the mark is not written above it but in front of it, at the upper left.

Answer: αὐτός → on υ ; οἶκος → on ι ; ᾄδω → on α (improper diphthong) ; Ἀθῆναι → in front of the capital Α

4. ἄνθρωπος is proparoxytone. Write the genitive singular and explain why the accent cannot stay where it was. intermedio

Show solution
  1. The stem is ἀνθρωπ- and the second-declension genitive singular ending is -ου.
  2. -ου is a diphthong, so the final syllable is LONG.
  3. By the law of limitation, if the final syllable is long the accent can go back no further than the penult.
  4. The accent therefore moves forward one syllable, onto the ω, and stays acute because the final syllable is long.

Answer: ἀνθρώπου: the long final -ου blocks an accent on the antepenult, so the word becomes paroxytone.

5. From σωτήρ form the accusative singular σωτηρα, and from δῶρον the genitive singular, adding the correct accent. intermedio

Show solution
  1. σωτηρα: the penult ω is long and carries the accent; the final syllable -α is short.
  2. When an accented long penult is followed by a short final syllable, the sotera rule requires the circumflex: σωτῆρα.
  3. δῶρον in the genitive becomes δωρου: the penult ω is still long, but now the final -ου is long too.
  4. The 'short final' condition is missing, so the circumflex is impossible and the acute is used: δώρου.

Answer: σωτῆρα (circumflex, short final) ; δώρου (acute, long final)

6. Find the error in each of these wrong spellings and correct them: *ἄνθρωπου, *δῶρου, *λὸγος. intermedio

Show solution
  1. *ἄνθρωπου breaks the law of limitation: with the long final -ου the accent cannot sit on the antepenult. Correct: ἀνθρώπου.
  2. *δῶρου puts a circumflex on the penult while the final syllable is long: a circumflex on the penult requires a short final. Correct: δώρου.
  3. *λὸγος uses the grave on a syllable that is not the last one: the grave appears ONLY on the final syllable. Correct: λόγος.

Answer: ἀνθρώπου ; δώρου ; λόγος

7. Accent this sentence correctly: ὁ ἀγαθός ἄνθρωπος διδάσκει. Then explain what would happen if ἀγαθός came right before a full stop. avanzato

Show solution
  1. ἀγαθός is oxytone, that is, it has the acute on the final syllable.
  2. In the sentence it is followed by another word with no punctuation in between.
  3. In that position the acute of an oxytone turns into a grave: ἀγαθὸς.
  4. ἄνθρωπος and διδάσκει are unaffected, because the change concerns oxytones only.
  5. If the word ended the sentence before a full stop, the acute would stay: ὁ ἄνθρωπός ἐστιν ἀγαθός.

Answer: ὁ ἀγαθὸς ἄνθρωπος διδάσκει. Before punctuation the acute remains: ... ἐστιν ἀγαθός.

8. Why do παιδεῦσαι and παιδεύσαι carry different accents although they end the same way? And what is the difference between οἶκοι and οἴκοι? avanzato

Show solution
  1. Word-final -αι and -οι count as SHORT for accentuation, even though they remain diphthongs.
  2. παιδεῦσαι is the aorist infinitive: the final -αι counts short, the penult -ευ- is long, so the sotera rule applies and the circumflex appears.
  3. παιδεύσαι is the third person singular aorist optative, and in the optative final -αι is an exception that counts LONG.
  4. With a long final syllable the circumflex is impossible, so the acute stays on the penult.
  5. The same mechanism separates οἶκοι, nominative plural 'houses' with short -οι, from οἴκοι, the adverb 'at home', where -οι counts long.

Answer: παιδεῦσαι = aorist infinitive (-αι short) ; παιδεύσαι = aorist optative (-αι long) ; οἶκοι = 'houses' ; οἴκοι = 'at home'

FAQ

When do you use the rough breathing and when the smooth one?

There is no rule you can work out from the sound: the breathing belongs to the spelling of the word and is learned with the vocabulary item, just like an initial h in English. Two cases are automatic, though: every initial υ and every initial ρ ALWAYS take the rough breathing (ὕδωρ, ῥήτωρ). Everywhere else, check the dictionary. The smooth breathing is silent, the rough one is pronounced h.

When does the acute accent become a grave?

Only on an oxytone, that is a word accented on its final syllable, and only when another word follows with no punctuation in between: ἀγαθός on its own, but ὁ ἀγαθὸς ἄνθρωπος in a sentence. Before a comma, full stop or question mark the acute stays acute, and it also stays acute when an enclitic follows.

When is the circumflex used in Greek?

The circumflex can only stand on a long vowel or a diphthong, and only on the last or the second-to-last syllable. On the penult it is actually compulsory in one case: when the accented penult is long and the final syllable is short (the sotera rule), as in δῶρον and σωτῆρα. It can never appear on ε or ο, because those vowels are always short.

Why does ἄνθρωπος become ἀνθρώπου in the genitive?

Because the ending -ου is a diphthong and therefore a long syllable. The law of limitation states that the accent never goes back further than the antepenult, and that if the final syllable is long it stops at the penult. The accent is thus forced one syllable forward. The same happens to θάλαττα, which becomes θαλάττης in the genitive.

Which vowel of a diphthong carries the breathing and the accent?

On proper diphthongs (αι, ει, οι, αυ, ευ, ου, ηυ) the marks go on the second vowel: αὐτός, οἶκος, εὑρίσκω. On improper diphthongs, the ones with iota subscript (ᾳ, ῃ, ῳ), the marks go on the vowel written on the line: ᾄδω, ᾅδης. With capital letters the marks are not written above the letter but in front of it, at the upper left: Ἀθῆναι, Ἕλληνες.